The October 1904 Issue of Hearth & Holler Has Arrived

Autumn has come to Honey Hill Country, and the October issue of Hearth & Holler is ready for your visit.

For those joining us for the first time, Hearth & Holler — A Monthly Visit to Honey Hill Country is an illustrated magazine set in the fictional Missouri Ozarks home of Little Red Bear in 1904. Through the eyes of our neighbors — people and woodland critters alike — we explore the countryside, local traditions, working lives, and everyday kindnesses that make this place feel like home.

This month, we’ll saddle up with Willow Meadows for a ride through the Autumn hills, visit Old Copper Creek Mill, and discover why Hickory Pinenut keeps returning to the pumpkin patch. There is spiced apple cider cake to share, supper high above the St. Louis World’s Fair, and a slightly spooky porch story from the Bookers — with Evelyn nearby to keep things from getting entirely out of hand.

You’ll also find colorful gardens, a talkative scarecrow, costumed little bunnies, glowing pumpkins, and a quiet walk in the rain.

Each article has its own page, so you can wander through the issue at your leisure. Read in order, follow whatever catches your eye, or return another day to pick up where you left off.

Put the kettle on, make yourself comfortable, and come spend a little October with us.

We’re glad you’re here.

I invite you to pour yourself a cup of something good, settle in, and spend a little while with us in Honey Hill Country.

👉 Click here to visit the October 1904 issue of Hearth & Holler Magazine.

Thank you for visiting and spending part of your day with us!

Till next time then —

Jim (and Red!)

A note about images — The illustrations in this issue of Hearth & Holler were created from my concepts and creative direction with the assistance of AI.

 

Basic Bear Stuff — Making Halloween a Little Friendlier

Small moments. Simple lessons. Everyday joys.

There is a lot we can learn from the little things we do every day.

Join Little Red Bear each Sunday for a simple, colorful moment celebrating kindness, friendship, safety, responsibility, healthy habits, appreciation of nature, and the everyday pleasures of living.

Sometimes thoughtful, sometimes funny, and always gentle and welcoming, Basic Bear Stuff is about showing by example rather than preaching a lesson.

Basic Bear Stuff is made for all ages, and especially for sharing with children and grandchildren. Sometimes a little picture, a gentle laugh, or a simple everyday moment can open the door to a wonderful conversation.

One little bear. One simple moment. Something for all of us.

Welcome to Basic Bear Stuff!

Till next time then —

Jim (and Red!)



A note about the artwork — Each Basic Bear Stuff illustration is created from my original concepts and creative direction, with the assistance of AI, for the world of Little Red Bear and Honey Hill Country.

Ennis Greenlea and the Things Folks Forgot

Ennis Greenlea and the Things Folks Forgot

By the time Ennis Greenlea reached the edge of Butterfield, he had three things in his wagon that nobody had paid him to haul.

A wool shawl.

An empty pie plate.

And a small boy’s left boot.

The boot concerned him somewhat.

He could account for the other two.

 

 

 

Continue reading →

The Fine Art of Taking the Long Way Home

The Fine Art of Taking the Long Way Home

When I had my little Chihuahua Allie, there was a walk I particularly enjoyed.

It took us up the main street, past a long row of honeysuckle bushes bordering the sidewalk at a corner house, then around onto Clay Avenue.

It was a perfectly ordinary route.

Which is to say, there was usually something worth seeing.

A Black Walnut tree stood at the corner property. In late Summer and Autumn, its green-husked walnuts lay scattered across the ground. Some had already received considerable attention from squirrels and other neighbors whose dining arrangements were less formal than ours.

I liked looking at what they had left behind.

Someone had been busy.

Allie and I were merely passing through the workplace.

 

 

 

In Spring, the honeysuckle gave us another reason to go that way.

Its fragrance reached the sidewalk before we had finished approaching it. The bushes continued around the corner, and farther along came a row of lilacs with a lovely fragrance of their own.

There were days when that corner deserved a longer visit than the schedule had allowed.

Fortunately, a dog understands that a walk may contain several appointments nobody wrote down.

Farther up Clay were beautiful two-story homes, with carefully tended landscaping and decorations that changed with the holidays. Somebody had taken time choosing what to plant, what to set beside a doorway, and how to welcome the season.

I enjoyed seeing what was different.

In Autumn, I watched the ground for leaves.

Maple. Sweetgum. Pin Oak. Sycamore.

Different shapes, different colors, different ways of catching my attention.

A particularly beautiful leaf might come home for a friend’s collection. Pine cones went to another friend.

That gave the walk a pleasant little extension. Something noticed along the sidewalk became something to share after I got home.

“I thought you might like this.”

A small thing to say, holding a leaf.

A good thing to have a reason to say.

Of course, those sidewalks required attention in the practical sense, too. Walnuts can roll beneath a foot. Wet leaves can be slippery. A twig in the wrong place needs stepping around.

I would never suggest that enjoying the scenery means ignoring where we are putting our feet.

But there was room along that walk for both kinds of attention.

I could watch my step and still admire the tree.

Sometimes I think hurry takes more from us than we realize.

We know where we are going. We have worked out how long it should take. Everything between here and there becomes something to get past.

The familiar places are especially easy to overlook.

We have seen that house.

We know that corner.

We walked beneath that tree yesterday.

Yet yesterday’s tree may have had considerably more green in it. Someone may have put pumpkins beside the steps this morning. A neighbor we usually wave to may have time for a conversation today.

Familiarity can persuade us there is nothing left to discover.

Autumn is very good at proving otherwise.

Its changes arrive a few leaves at a time, then suddenly seem to have happened all at once. We remark that the season went quickly, and perhaps it did.

Perhaps we were also occupied elsewhere.

I understand being occupied. There are errands, appointments, unfinished jobs, and things that cannot wait simply because a maple has decided to be magnificent.

Still, I would like to make a little room for the maple.

Taking the long way home need not mean adding distance.

For those of us whose walking has become more limited, that matters. A few extra minutes on a bench may do it. A pause beside a window. A little longer looking across the yard before going inside.

We can give a familiar place another look from wherever we happen to be.

And we can do the same for the people in it.

Stop long enough to hear the answer after asking how someone is doing. Notice the flowers a neighbor has been tending. Remember who would enjoy a pine cone or a particularly fine leaf.

There is a kind of companionship in paying attention. We begin carrying little reminders of one another as we go about the day.

I think back fondly on those walks with Allie.

The honeysuckle and lilacs belong to Spring in my memory. The green walnuts and gathered leaves belong to the turning year. The houses along Clay had something to offer in every season.

We went out for a walk.

Often, I came home with something I wanted someone else to see.

That seems a fine return for taking a little longer.

Till next time then —

Jim (and Red!)



A Little Red Bear P.S.

I once took the long way home because I thought I remembered a blackberry patch.

I remembered correctly.

Getting home took somewhat longer after that.

— Red 🐾

Images have been created for this piece with the assistance of AI . . .  lovingly prepared and styled for Honey Hill Country and the world of Little Red Bear.

Basic Bear Stuff — Raking Leaves for a Neighbor

Small moments. Simple lessons. Everyday joys.

There is a lot we can learn from the little things we do every day.

Join Little Red Bear each Sunday for a simple, colorful moment celebrating kindness, friendship, safety, responsibility, healthy habits, appreciation of nature, and the everyday pleasures of living.

Sometimes thoughtful, sometimes funny, and always gentle and welcoming, Basic Bear Stuff is about showing by example rather than preaching a lesson.

Basic Bear Stuff is made for all ages, and especially for sharing with children and grandchildren. Sometimes a little picture, a gentle laugh, or a simple everyday moment can open the door to a wonderful conversation.

One little bear. One simple moment. Something for all of us.

Welcome to Basic Bear Stuff!

Till next time then —

Jim (and Red!)



A note about the artwork — Each Basic Bear Stuff illustration is created from my original concepts and creative direction, with the assistance of AI, for the world of Little Red Bear and Honey Hill Country.

Wilder Tales — “The Zebra Who Was Always There”

From the critters near home . . . to the wildlands beyond.

Wilder Tales are small, gentle stories — meant to be read in a few quiet minutes, enjoyed with a smile, and written and shared simply for the pleasure of observing animals a little less settled, and the wider, wilder world they move through.

Having walked with the herd for as long as anyone could remember, the zebra moved once again along the same paths worn smooth by many hooves, stopping where the grass was sweetest and the ground held just enough firmness under foot. There was nothing unusual in the way the herd traveled together — the same easy spacing, the same unspoken understanding of when to pause and when to go on. In the bright, open light of the plain, the zebra’s stripes appeared as they always had, clean and familiar, and no one gave them more thought than the passing breeze or the sky overhead.

Slipping behind a drifting cloud, as it sometimes did, softening the sharp edges of the plain and drawing colors closer together, the sun withdrew for a moment. The air cooled just a little, and shadows loosened their hold on the ground. In that gentler half-light, the stripes on the zebras no longer looked quite the same — not changed, exactly, but revealed differently, as though the sun’s brightness had been doing more work than anyone realized.

At the edge of the plain, where grass rose tall enough to keep secrets, a lioness lay watching. This herd was familiar to her — their number, their movement, the way they held together — but in the softened light her gaze settled longer than usual on one place among them. She did not move, did not crouch or advance. She only watched, with a stillness that carried weight.

Somewhere within the herd, a zebra lifted its head, not in alarm, but in response to a feeling as old as grass and sky — the sense of being watched. That lifting of the head passed lightly from one to another, a ripple rather than a signal, until several pairs of eyes turned, almost without knowing why, toward the tall grass at the edge of the plain. They did not see the lioness at first. They felt her attention before they discerned her shape.

One zebra, standing slightly apart only by the length of a step, followed the lioness’s gaze a moment longer than the others. It was not curiosity exactly, nor fear, but something closer to alignment — the sense of looking where one is being looked through. In the softened light, with shadows loosening and edges no longer sharp, that zebra saw itself reflected faintly in the lioness’s attention, as though singled out without having been chosen.

Only then did the difference appear, and even so it did not announce itself. In the half-light, where shadow softened contrast and the sun no longer flattened every surface into certainty, the zebra’s stripes were no longer quite the same black they had always seemed. Along the curve of the shoulder and down the long slope of the flank, a deeper hue emerged — muted, dusty, almost mistaken for shade at first, until it held. Purple, quiet and undeniable, as though it had always been there, waiting for the light to step aside.

The zebra did not move. There was no reason to. The grass was the same beneathfoot, the air unchanged, the herd still close enough to feel without looking. Yet something had shifted all the same. A space opened — not in distance, but in attention — as though a line had been drawn that no one meant to draw, simply by noticing.

One by one, other zebras began to see it too. Not all at once, and not with any agreement. A glance held a moment longer. A head tilted. A pause where there had never been one before. The purple did not grow brighter. It did not spread. It simply remained — unchanged — but newly noticed, now named in the mind even if no one spoke of the difference aloud.

Just as quietly as that awareness had arrived, it began to do its work.

And that work began with something so small it might not have been noticed at all, had anyone been watching for it. When the herd shifted to graze, a familiar space was left unfilled — no more than the length of a shoulder, perhaps — and no one stepped into it. The line adjusted around the absence without comment, the way water moves around a stone.

The purple-striped zebra remained where it had always stood, neither closer nor farther away than before. Yet when the herd moved again, the gap moved with them, keeping its quiet place. Nothing had been said. Nothing had been decided. Still, the shape of togetherness had changed, altered not by action, but by hesitation.

At the edge of the plain, the lioness watched on, her attention unbroken. Waiting. The herd, occupied with its own subtle rearranging, did not notice how much more clearly she could see them now.

The change came all at once.

At the sight of the lioness shifting her weight, lowering her head, the herd’s scattered attention snapped back into alignment. Instinct moved faster than thought. Bodies turned. Hooves thundered against the ground as the line folded inward, closing the space that should never have been left open.

The purple-striped zebra found itself no longer alone at the edge of anything. Warmth pressed in from both sides, familiar and firm. A flank brushed its own. A shoulder settled where the gap had been. The herd did not pause to consider what they were doing or why. They simply remembered how to be together.

Faced with a wall of movement and sound, the lioness halted. She watched for a moment longer, measuring the cost, then eased back into the tall grass, the opportunity gone.

Only after the danger passed did the herd settle again, its collective breath evening. Their shape returned to what it had always been. The purple-striped zebra stood exactly where it always had — no closer to the center than before, no farther away — and the grass beneathfoot felt the same as it always had.

Nothing had changed about the zebra.

Something had changed about the herd.

Original artwork throughout The Front Porch has been created from my concepts and creative direction with the assistance of AI.  

 

Why do I write these? Aw, I don’t know. Just thought it might make you smile.