Wilder Tales — “The Zebra Who Was Always There”

From the critters near home . . . to the wildlands beyond.

Wilder Tales are small, gentle stories — meant to be read in a few quiet minutes, enjoyed with a smile, and written and shared simply for the pleasure of observing animals a little less settled, and the wider, wilder world they move through.

Having walked with the herd for as long as anyone could remember, the zebra moved once again along the same paths worn smooth by many hooves, stopping where the grass was sweetest and the ground held just enough firmness under foot. There was nothing unusual in the way the herd traveled together — the same easy spacing, the same unspoken understanding of when to pause and when to go on. In the bright, open light of the plain, the zebra’s stripes appeared as they always had, clean and familiar, and no one gave them more thought than the passing breeze or the sky overhead.

Slipping behind a drifting cloud, as it sometimes did, softening the sharp edges of the plain and drawing colors closer together, the sun withdrew for a moment. The air cooled just a little, and shadows loosened their hold on the ground. In that gentler half-light, the stripes on the zebras no longer looked quite the same — not changed, exactly, but revealed differently, as though the sun’s brightness had been doing more work than anyone realized.

At the edge of the plain, where grass rose tall enough to keep secrets, a lioness lay watching. This herd was familiar to her — their number, their movement, the way they held together — but in the softened light her gaze settled longer than usual on one place among them. She did not move, did not crouch or advance. She only watched, with a stillness that carried weight.

Somewhere within the herd, a zebra lifted its head, not in alarm, but in response to a feeling as old as grass and sky — the sense of being watched. That lifting of the head passed lightly from one to another, a ripple rather than a signal, until several pairs of eyes turned, almost without knowing why, toward the tall grass at the edge of the plain. They did not see the lioness at first. They felt her attention before they discerned her shape.

One zebra, standing slightly apart only by the length of a step, followed the lioness’s gaze a moment longer than the others. It was not curiosity exactly, nor fear, but something closer to alignment — the sense of looking where one is being looked through. In the softened light, with shadows loosening and edges no longer sharp, that zebra saw itself reflected faintly in the lioness’s attention, as though singled out without having been chosen.

Only then did the difference appear, and even so it did not announce itself. In the half-light, where shadow softened contrast and the sun no longer flattened every surface into certainty, the zebra’s stripes were no longer quite the same black they had always seemed. Along the curve of the shoulder and down the long slope of the flank, a deeper hue emerged — muted, dusty, almost mistaken for shade at first, until it held. Purple, quiet and undeniable, as though it had always been there, waiting for the light to step aside.

The zebra did not move. There was no reason to. The grass was the same beneathfoot, the air unchanged, the herd still close enough to feel without looking. Yet something had shifted all the same. A space opened — not in distance, but in attention — as though a line had been drawn that no one meant to draw, simply by noticing.

One by one, other zebras began to see it too. Not all at once, and not with any agreement. A glance held a moment longer. A head tilted. A pause where there had never been one before. The purple did not grow brighter. It did not spread. It simply remained — unchanged — but newly noticed, now named in the mind even if no one spoke of the difference aloud.

Just as quietly as that awareness had arrived, it began to do its work.

And that work began with something so small it might not have been noticed at all, had anyone been watching for it. When the herd shifted to graze, a familiar space was left unfilled — no more than the length of a shoulder, perhaps — and no one stepped into it. The line adjusted around the absence without comment, the way water moves around a stone.

The purple-striped zebra remained where it had always stood, neither closer nor farther away than before. Yet when the herd moved again, the gap moved with them, keeping its quiet place. Nothing had been said. Nothing had been decided. Still, the shape of togetherness had changed, altered not by action, but by hesitation.

At the edge of the plain, the lioness watched on, her attention unbroken. Waiting. The herd, occupied with its own subtle rearranging, did not notice how much more clearly she could see them now.

The change came all at once.

At the sight of the lioness shifting her weight, lowering her head, the herd’s scattered attention snapped back into alignment. Instinct moved faster than thought. Bodies turned. Hooves thundered against the ground as the line folded inward, closing the space that should never have been left open.

The purple-striped zebra found itself no longer alone at the edge of anything. Warmth pressed in from both sides, familiar and firm. A flank brushed its own. A shoulder settled where the gap had been. The herd did not pause to consider what they were doing or why. They simply remembered how to be together.

Faced with a wall of movement and sound, the lioness halted. She watched for a moment longer, measuring the cost, then eased back into the tall grass, the opportunity gone.

Only after the danger passed did the herd settle again, its collective breath evening. Their shape returned to what it had always been. The purple-striped zebra stood exactly where it always had — no closer to the center than before, no farther away — and the grass beneathfoot felt the same as it always had.

Nothing had changed about the zebra.

Something had changed about the herd.

Original artwork throughout The Front Porch has been created from my concepts and creative direction with the assistance of AI.  

 

Why do I write these? Aw, I don’t know. Just thought it might make you smile.

 

Wilder Tales — “A Giraffe In A Hurry”

From the critters near home . . . . to the wildlands beyond.

Wilder Tales are small, gentle stories — meant to be read in a few quiet minutes, enjoyed with a smile, and written and shared simply for the pleasure of observing animals a little less settled, and the wider, wilder world they move through.

Nobody could remember exactly who spotted the tree first.

It might have been one of the older giraffes, the kind who noticed things quietly and mentioned them only after being certain. Or it might have been a younger one, hesitant and unsure, keeping it to themself. But once the breeze shifted, word traveled fast thru the herd.

That tantalizing breeze carried with it the clean, green scent of new leaves — the kind that made every giraffe lift their head and take notice.

And such a fine tree it was — broad-limbed, leafy, and standing just far enough away in the distance to feel like a small victory once reached, its newly sprouted leaves tender and bright, bursting with a green, juicy sweetness no giraffe could ignore.

Most of the herd set off at an easy pace, necks swaying gently, steps unhurried. Leaves, after all, were not known for running away. All things in time.

One giraffe, however, had other ideas.

He decided that if he took the narrow path — the one that dipped beneath a few low-hanging branches — he could arrive first, select the most tasty branch, plant his hooves, and begin munching before anyone else even came into view. The thought pleased him greatly.

He lowered his head, picked up speed, and slipped beneath the trees.

Now, it should be said that giraffes are tall for a reason — to reach the highest leaves other grazers cannot — and not, as it turns out, to go rushing about.

As he ran, he turned his head slightly to see how close the others were behind him.

That was when it happened.

BAM!

The sound echoed just enough to make the birds pause and reconsider their opinions of giraffes altogether.

The branch did not move.
The giraffe did.

He sat down hard, legs folding beneath him in a way legs were never meant to fold, stars swirling somewhere near the clouds. When the dizziness settled, he remained exactly where he was, eyes crossed just enough to be concerning.

Someone fetched the large blue ice pack — the one normally reserved for enthusiastic antelope mishaps — and placed it carefully atop his head.

It took a while.

Eventually, it stayed.

The herd arrived shortly after, calm as ever. They passed him by one at a time, unhurried, on their way toward the tree that had started all the trouble.

No one laughed.

One giraffe tilted her head and said, kindly,
“Well… you did get here first.”

The concussed giraffe with the headache sighed, adjusting the ice pack with one careful hoof.

“Yes,” he said. “But I cannot recommend the route.”

They stood together for a time, leaves rustling softly in the distance, the sun warming backs and branches alike. After a while, the headache eased. The ice pack slid off and landed with a gentle thump at his feet.

He rose slowly, and after a few measured steps joined the others. He proceeded then to eat at the same unhurried pace as everyone else.

The leaves tasted just as good.

Maybe better.


 


Images have been created for this piece with the assistance of AI . . . .  lovingly prepared and styled for Honey Hill Country and the world of Little Red Bear.

Why do I write these? Aw, I don’t know. Just thought it might make you smile.

 

Libraries — The Quiet Beginning of Big Adventures

On Libraries, Curiosity, and a First Card That Changed Everything

Some memories stay with you not because they were dramatic, but because they quietly opened a door.

My first trip to a library did exactly that.

It was a chilly, rainy October evening, and I was eight years old. We had just moved to a growing suburb outside St. Louis, and I was newly settled into third grade at a brand-new school. Earlier that afternoon, our teacher announced an assignment — a report on dinosaurs.

DINOSAURS!

That was all it took.

After dinner that evening, my father put on his overcoat, settled his fedora on his head, and took me to the local library. I had never been inside one before. I remember the way the doors opened into a space that felt larger than it needed to be — aisle after aisle of tall shelves, all of them filled with books that reached far above my head.

It felt like I had crossed over a threshold into a new world and was standing inside a promise.

A few minutes later I was issued my very first library card. It had my name on it. And with it, for an eight-year-old,  came feelings of recognition, trust, and responsibility. I was now a certified, card-carrying member of society. We checked out several books on dinosaurs, and I carried them home like treasure. That night, reading and racing from one dinosaur illustration to the next, something quietly and permanently took root.

Continue reading →

Tuesday, After the Paper Arrived

A quiet word about Tuesdays, and the work they do here.

The morning after a paper comes out is usually quieter than the one before it.

The ink is already dry. The papers delivered where they were meant to go. A deep breath. A satisfying sigh after a job well done.

Somewhere, a cup of coffee has been poured and forgotten for a moment while a headline was read twice, or a paragraph lingered longer than expected. Or when someone paused for a laugh. Somewhere else, a paper has been folded and set aside, ready to be picked up again later in the day.

Life, as it turns out, keeps right on going.

There is something comforting in that.

That the world, for the most part, knows how to carry on.

On Saturday morning, the first issue of The Hearth & Holler Gazette arrived. And then Sunday came, and Monday followed close behind. And now here we are on Tuesday — the morning a little different and things settling again into their usual rhythm.

That is how these things are meant to work.

Once a week is enough for a newspaper. Once a week gives it room to breathe — room to notice, to remember, to arrive without knocking too loudly. It is not meant to rush or crowd the days around it. Or to demand center stage. It is meant to take its place and then let the rest of the week do what it always does in turn.

Tuesdays, for their part, will keep doing Tuesday things here.

They will keep returning us to the quieter work — kindness noticed in small places, moments of grace we almost missed, the steady presence of family, memory, and the natural world doing what it has always done, whether we are watching closely or not — and to the small, steady work of remaining hopeful and finding happiness within, even when the wider world seems determined that we not. These are the themes that have lived here a long while now, and they remain, unchanged by the arrival of anything new. That feels right, and as it should be, don’t you think?

A newspaper can come and go once a week, and still leave the lamp on. A story can be read and folded away, and still be there when needed again. Nothing more is required of it — or of us — than to show up, and carry on.

And so we do.

We will be here with The Hearth & Holler Gazette again on Saturday, and we hope you will be too.

— Jim (and Red!)

P.S. — Little Red Bear here.
I read through the “Hearth & Holler Gazette” twice on Saturday, but the second time I mostly just smiled and nodded like I already knew how it ended.

Pen-and-ink illustrations created with the assistance of AI and lovingly styled for Little Red Bear Land.

 

Something New Is Nearly Ready

One more chat before the porch light comes on.

There is a particular kind of anticipation that comes just before something good arrives.

Not the hurried sort.
Not the loud sort.
But the steady, warm kind — like setting an extra cup on the table because you know someone will soon be coming by.

That is where we are today.

Next Saturday — January 24 — The Hearth & Holler Gazette will make its first appearance here on The Writing Pages! And before it does, this felt like the right moment to pause, take a breath, and talk plainly about what it is, who it is for, and just as importantly, what it is not.

What’s Nearly Ready

At its heart, The Hearth & Holler Gazette is a weekly Saturday morning visit.

A small-town paper from a gentler place and time — filled with short pieces meant to be read slowly, smiled over, and enjoyed with a warm cup of coffee or tea for a moment before moving on with your day.

The Hearth & Holler Gazette is a fictional paper, created for enjoyment and relaxation, drawn from the characters and places of Little Red Bear’s Honey Hill Country.

Each issue will include familiar sections you can come to expect:

— lighthearted community tidings
— gentle humor and country chuckles
— a heartwarming piece from the Heart of the Holler
— and a closing reflection meant to leave you steadier than when you arrived

Nothing long.
Nothing demanding.
Just enough to feel like we passed a little time together.

Who It’s For

This Gazette is for readers who enjoy:

— quiet, comforting storytelling
— old-fashioned newspaper charm
— a sense of place and neighborliness
— kindness without preaching
— imagination without noise

It is for those who like to read with a moment, not race through one.

And What It Is Not

It is not a newsletter competing for attention.
It is not a commitment you must keep up with.
It is not something being sold to you, nor another thing to keep track of.

There are no subscriptions to purchase.
No ads or promotions to navigate.
No extras you must chase down.
No pressure to do anything at all.

If a week comes when you read it — wonderful.
If a week comes when you do not — it will be there when you return.

Continue reading →

Critter Tales — “The Fence Post Carrot”

From the critters near home . . . to the wildlands beyond.

Critter Tales are small, gentle stories — meant to be read in a few quiet minutes, enjoyed with a smile, and written and shared simply for the fun of it.

The two brothers were not looking for anything in particular that afternoon.

They were doing what bunny brothers often do on mild days — wandering along the roadside, stopping now and then to inspect a pebble, a bent leaf, or a place where something interesting might have happened earlier and could possibly happen again.

That was when the younger brother stopped so suddenly the older one nearly walked straight into him.

They both stared.

Lying just off the road, half in the grass and half in the dust, was a carrot.

Not a carrot carrot.

A carrot the size of a fence post.

It was long and thick and sun-warmed, its orange skin dulled with soil, its green top snapped short as if it had once belonged to a wagonload of respectable vegetables that had not expected to lose a member along the way.

The brothers walked slowly around it.

They stood beside it.

They placed a paw on it, just to be sure.

“It’s real,” said the younger one.

“It’s ours,” said the older one, immediately and with confidence.

The only problem was getting it home.

They tried first to drag it.

They braced their feet, leaned back, and pulled with all the seriousness such a carrot deserved. The carrot did not move. It merely sat there, unimpressed and unmoved, as though it had been waiting for this moment and was quite prepared to wait longer.

They tried lifting one end.

That end rose exactly as far as the other end sank, and the carrot pivoted neatly back into place, landing with a thump that rattled their paws.

They rested, catching their breath.

“Maybe if we roll it,” said the younger brother.

This seemed reasonable.

The carrot was round, after all. Mostly.

They pushed.

The carrot rolled.

Not forward.

It rolled sideways, drifting lazily toward the road, as though it had somewhere else to be.

They scrambled to stop it, wrestling it back into the grass before it could embarrass them in front of any passing wagons.

They tried again, this time from the other side.

The carrot rolled the opposite direction, wobbling, curving, and clearly unwilling to be guided in a straight line.

“It doesn’t listen,” the younger brother said.

“It’s shaped wrong,” said the older one.

They studied it closely then — the thick top, the narrowing point, the subtle curve that promised cooperation and delivered betrayal.

They attempted to lever it with a stick.

The stick snapped.

They attempted to roll it while running alongside, paws scrambling, ears flapping.

The carrot rolled faster than expected, slower than hoped, and then gently pinned them both in the grass until they agreed to let go.

Eventually, they sat down beside it.

The afternoon was quiet. A breeze stirred the grass. The carrot lay peacefully between them, as though nothing at all had happened.

Their house sat below them on the hillside — not far, really, when one looked at it that way.

The younger brother tilted his head.

“What if,” he said slowly, “we don’t take it up to the house?”

The older brother followed his gaze.

The hill sloped gently downward, straight toward their front wall.

They looked at the carrot.

They looked at the hill.

They smiled.

Getting it started was easy.

Stopping it was not.

The carrot tipped, rolled, hesitated, and then gathered confidence, wobbling its way downhill with growing enthusiasm. It veered left. It corrected. It veered right. The brothers ran alongside, shouting helpful suggestions that the carrot ignored entirely.

The curve took over.

The carrot picked its own path.

The brothers watched, helpless and hopeful, as it rolled faster, straighter, and with increasing purpose — directly toward their house.

There was a sound.

A solid, unmistakable WHUMP against the wall.

Silence followed.

Then the front door flew open.

Their mother rushed out, apron askew, eyes wide — ready for disaster.

She stopped.

She stared.

Leaning neatly against the wall, as if it had always belonged there, was a carrot the size of a fence post.

The brothers stood very still.

Then their mother laughed.

She laughed the way one does when something is too unexpected to be annoying and too useful to be ignored.

“Well,” she said happily, “that’s carrot soup for a month.”

The brothers sat down in the grass, dusty and pleased.

The carrot did not move again.

It had arrived.

Pen-and-ink illustrations created with the assistance of AI and lovingly styled for Little Red Bear Land.

Why do I write these? Aw, I don’t know. Just thought it might make you smile.