Wilder Tales — “The Zebra Who Was Always There”

From the critters near home . . . to the wildlands beyond.

Wilder Tales are small, gentle stories — meant to be read in a few quiet minutes, enjoyed with a smile, and written and shared simply for the pleasure of observing animals a little less settled, and the wider, wilder world they move through.

Having walked with the herd for as long as anyone could remember, the zebra moved once again along the same paths worn smooth by many hooves, stopping where the grass was sweetest and the ground held just enough firmness under foot. There was nothing unusual in the way the herd traveled together — the same easy spacing, the same unspoken understanding of when to pause and when to go on. In the bright, open light of the plain, the zebra’s stripes appeared as they always had, clean and familiar, and no one gave them more thought than the passing breeze or the sky overhead.

Slipping behind a drifting cloud, as it sometimes did, softening the sharp edges of the plain and drawing colors closer together, the sun withdrew for a moment. The air cooled just a little, and shadows loosened their hold on the ground. In that gentler half-light, the stripes on the zebras no longer looked quite the same — not changed, exactly, but revealed differently, as though the sun’s brightness had been doing more work than anyone realized.

At the edge of the plain, where grass rose tall enough to keep secrets, a lioness lay watching. This herd was familiar to her — their number, their movement, the way they held together — but in the softened light her gaze settled longer than usual on one place among them. She did not move, did not crouch or advance. She only watched, with a stillness that carried weight.

Somewhere within the herd, a zebra lifted its head, not in alarm, but in response to a feeling as old as grass and sky — the sense of being watched. That lifting of the head passed lightly from one to another, a ripple rather than a signal, until several pairs of eyes turned, almost without knowing why, toward the tall grass at the edge of the plain. They did not see the lioness at first. They felt her attention before they discerned her shape.

One zebra, standing slightly apart only by the length of a step, followed the lioness’s gaze a moment longer than the others. It was not curiosity exactly, nor fear, but something closer to alignment — the sense of looking where one is being looked through. In the softened light, with shadows loosening and edges no longer sharp, that zebra saw itself reflected faintly in the lioness’s attention, as though singled out without having been chosen.

Only then did the difference appear, and even so it did not announce itself. In the half-light, where shadow softened contrast and the sun no longer flattened every surface into certainty, the zebra’s stripes were no longer quite the same black they had always seemed. Along the curve of the shoulder and down the long slope of the flank, a deeper hue emerged — muted, dusty, almost mistaken for shade at first, until it held. Purple, quiet and undeniable, as though it had always been there, waiting for the light to step aside.

The zebra did not move. There was no reason to. The grass was the same beneathfoot, the air unchanged, the herd still close enough to feel without looking. Yet something had shifted all the same. A space opened — not in distance, but in attention — as though a line had been drawn that no one meant to draw, simply by noticing.

One by one, other zebras began to see it too. Not all at once, and not with any agreement. A glance held a moment longer. A head tilted. A pause where there had never been one before. The purple did not grow brighter. It did not spread. It simply remained — unchanged — but newly noticed, now named in the mind even if no one spoke of the difference aloud.

Just as quietly as that awareness had arrived, it began to do its work.

And that work began with something so small it might not have been noticed at all, had anyone been watching for it. When the herd shifted to graze, a familiar space was left unfilled — no more than the length of a shoulder, perhaps — and no one stepped into it. The line adjusted around the absence without comment, the way water moves around a stone.

The purple-striped zebra remained where it had always stood, neither closer nor farther away than before. Yet when the herd moved again, the gap moved with them, keeping its quiet place. Nothing had been said. Nothing had been decided. Still, the shape of togetherness had changed, altered not by action, but by hesitation.

At the edge of the plain, the lioness watched on, her attention unbroken. Waiting. The herd, occupied with its own subtle rearranging, did not notice how much more clearly she could see them now.

The change came all at once.

At the sight of the lioness shifting her weight, lowering her head, the herd’s scattered attention snapped back into alignment. Instinct moved faster than thought. Bodies turned. Hooves thundered against the ground as the line folded inward, closing the space that should never have been left open.

The purple-striped zebra found itself no longer alone at the edge of anything. Warmth pressed in from both sides, familiar and firm. A flank brushed its own. A shoulder settled where the gap had been. The herd did not pause to consider what they were doing or why. They simply remembered how to be together.

Faced with a wall of movement and sound, the lioness halted. She watched for a moment longer, measuring the cost, then eased back into the tall grass, the opportunity gone.

Only after the danger passed did the herd settle again, its collective breath evening. Their shape returned to what it had always been. The purple-striped zebra stood exactly where it always had — no closer to the center than before, no farther away — and the grass beneathfoot felt the same as it always had.

Nothing had changed about the zebra.

Something had changed about the herd.

Original artwork throughout The Front Porch has been created from my concepts and creative direction with the assistance of AI.  

 

Why do I write these? Aw, I don’t know. Just thought it might make you smile.

 

Wilder Tales — “A Giraffe In A Hurry”

From the critters near home . . . . to the wildlands beyond.

Wilder Tales are small, gentle stories — meant to be read in a few quiet minutes, enjoyed with a smile, and written and shared simply for the pleasure of observing animals a little less settled, and the wider, wilder world they move through.

Nobody could remember exactly who spotted the tree first.

It might have been one of the older giraffes, the kind who noticed things quietly and mentioned them only after being certain. Or it might have been a younger one, hesitant and unsure, keeping it to themself. But once the breeze shifted, word traveled fast thru the herd.

That tantalizing breeze carried with it the clean, green scent of new leaves — the kind that made every giraffe lift their head and take notice.

And such a fine tree it was — broad-limbed, leafy, and standing just far enough away in the distance to feel like a small victory once reached, its newly sprouted leaves tender and bright, bursting with a green, juicy sweetness no giraffe could ignore.

Most of the herd set off at an easy pace, necks swaying gently, steps unhurried. Leaves, after all, were not known for running away. All things in time.

One giraffe, however, had other ideas.

He decided that if he took the narrow path — the one that dipped beneath a few low-hanging branches — he could arrive first, select the most tasty branch, plant his hooves, and begin munching before anyone else even came into view. The thought pleased him greatly.

He lowered his head, picked up speed, and slipped beneath the trees.

Now, it should be said that giraffes are tall for a reason — to reach the highest leaves other grazers cannot — and not, as it turns out, to go rushing about.

As he ran, he turned his head slightly to see how close the others were behind him.

That was when it happened.

BAM!

The sound echoed just enough to make the birds pause and reconsider their opinions of giraffes altogether.

The branch did not move.
The giraffe did.

He sat down hard, legs folding beneath him in a way legs were never meant to fold, stars swirling somewhere near the clouds. When the dizziness settled, he remained exactly where he was, eyes crossed just enough to be concerning.

Someone fetched the large blue ice pack — the one normally reserved for enthusiastic antelope mishaps — and placed it carefully atop his head.

It took a while.

Eventually, it stayed.

The herd arrived shortly after, calm as ever. They passed him by one at a time, unhurried, on their way toward the tree that had started all the trouble.

No one laughed.

One giraffe tilted her head and said, kindly,
“Well… you did get here first.”

The concussed giraffe with the headache sighed, adjusting the ice pack with one careful hoof.

“Yes,” he said. “But I cannot recommend the route.”

They stood together for a time, leaves rustling softly in the distance, the sun warming backs and branches alike. After a while, the headache eased. The ice pack slid off and landed with a gentle thump at his feet.

He rose slowly, and after a few measured steps joined the others. He proceeded then to eat at the same unhurried pace as everyone else.

The leaves tasted just as good.

Maybe better.


 


Images have been created for this piece with the assistance of AI . . . .  lovingly prepared and styled for Honey Hill Country and the world of Little Red Bear.

Why do I write these? Aw, I don’t know. Just thought it might make you smile.

 

Libraries — The Quiet Beginning of Big Adventures

On Libraries, Curiosity, and a First Card That Changed Everything

Some memories stay with you not because they were dramatic, but because they quietly opened a door.

My first trip to a library did exactly that.

It was a chilly, rainy October evening, and I was eight years old. We had just moved to a growing suburb outside St. Louis, and I was newly settled into third grade at a brand-new school. Earlier that afternoon, our teacher announced an assignment — a report on dinosaurs.

DINOSAURS!

That was all it took.

After dinner that evening, my father put on his overcoat, settled his fedora on his head, and took me to the local library. I had never been inside one before. I remember the way the doors opened into a space that felt larger than it needed to be — aisle after aisle of tall shelves, all of them filled with books that reached far above my head.

It felt like I had crossed over a threshold into a new world and was standing inside a promise.

A few minutes later I was issued my very first library card. It had my name on it. And with it, for an eight-year-old,  came feelings of recognition, trust, and responsibility. I was now a certified, card-carrying member of society. We checked out several books on dinosaurs, and I carried them home like treasure. That night, reading and racing from one dinosaur illustration to the next, something quietly and permanently took root.

Continue reading →

Critter Tales — “The Fence Post Carrot”

From the critters near home . . . to the wildlands beyond.

Critter Tales are small, gentle stories — meant to be read in a few quiet minutes, enjoyed with a smile, and written and shared simply for the fun of it.

The two brothers were not looking for anything in particular that afternoon.

They were doing what bunny brothers often do on mild days — wandering along the roadside, stopping now and then to inspect a pebble, a bent leaf, or a place where something interesting might have happened earlier and could possibly happen again.

That was when the younger brother stopped so suddenly the older one nearly walked straight into him.

They both stared.

Lying just off the road, half in the grass and half in the dust, was a carrot.

Not a carrot carrot.

A carrot the size of a fence post.

It was long and thick and sun-warmed, its orange skin dulled with soil, its green top snapped short as if it had once belonged to a wagonload of respectable vegetables that had not expected to lose a member along the way.

The brothers walked slowly around it.

They stood beside it.

They placed a paw on it, just to be sure.

“It’s real,” said the younger one.

“It’s ours,” said the older one, immediately and with confidence.

The only problem was getting it home.

They tried first to drag it.

They braced their feet, leaned back, and pulled with all the seriousness such a carrot deserved. The carrot did not move. It merely sat there, unimpressed and unmoved, as though it had been waiting for this moment and was quite prepared to wait longer.

They tried lifting one end.

That end rose exactly as far as the other end sank, and the carrot pivoted neatly back into place, landing with a thump that rattled their paws.

They rested, catching their breath.

“Maybe if we roll it,” said the younger brother.

This seemed reasonable.

The carrot was round, after all. Mostly.

They pushed.

The carrot rolled.

Not forward.

It rolled sideways, drifting lazily toward the road, as though it had somewhere else to be.

They scrambled to stop it, wrestling it back into the grass before it could embarrass them in front of any passing wagons.

They tried again, this time from the other side.

The carrot rolled the opposite direction, wobbling, curving, and clearly unwilling to be guided in a straight line.

“It doesn’t listen,” the younger brother said.

“It’s shaped wrong,” said the older one.

They studied it closely then — the thick top, the narrowing point, the subtle curve that promised cooperation and delivered betrayal.

They attempted to lever it with a stick.

The stick snapped.

They attempted to roll it while running alongside, paws scrambling, ears flapping.

The carrot rolled faster than expected, slower than hoped, and then gently pinned them both in the grass until they agreed to let go.

Eventually, they sat down beside it.

The afternoon was quiet. A breeze stirred the grass. The carrot lay peacefully between them, as though nothing at all had happened.

Their house sat below them on the hillside — not far, really, when one looked at it that way.

The younger brother tilted his head.

“What if,” he said slowly, “we don’t take it up to the house?”

The older brother followed his gaze.

The hill sloped gently downward, straight toward their front wall.

They looked at the carrot.

They looked at the hill.

They smiled.

Getting it started was easy.

Stopping it was not.

The carrot tipped, rolled, hesitated, and then gathered confidence, wobbling its way downhill with growing enthusiasm. It veered left. It corrected. It veered right. The brothers ran alongside, shouting helpful suggestions that the carrot ignored entirely.

The curve took over.

The carrot picked its own path.

The brothers watched, helpless and hopeful, as it rolled faster, straighter, and with increasing purpose — directly toward their house.

There was a sound.

A solid, unmistakable WHUMP against the wall.

Silence followed.

Then the front door flew open.

Their mother rushed out, apron askew, eyes wide — ready for disaster.

She stopped.

She stared.

Leaning neatly against the wall, as if it had always belonged there, was a carrot the size of a fence post.

The brothers stood very still.

Then their mother laughed.

She laughed the way one does when something is too unexpected to be annoying and too useful to be ignored.

“Well,” she said happily, “that’s carrot soup for a month.”

The brothers sat down in the grass, dusty and pleased.

The carrot did not move again.

It had arrived.

Pen-and-ink illustrations created with the assistance of AI and lovingly styled for Little Red Bear Land.

Why do I write these? Aw, I don’t know. Just thought it might make you smile.

A Halloween Special — “The Raven” Poem by Edgar Allan Poe (And ‘The Simpsons, Too!’)

Happy Halloween!

We are continuing a Halloween tradition here on the Writing Pages, sharing Edgar Allan Poe’s gripping and epic poem — “The Raven” — to help set the mood for the soon-approaching Halloween night. And as it would happen, the next full moon is on October 28th, just a few days before.  Oooh — I just had a shiver merely thinking about it all. Did you feel one, too?

With a waning but nearly full moon, watch for Witches Flying On Broomsticks and Vampire Bats streaking across the sky. Listen for the rustling feet of ever-present Goblins and Ghoulies lurking in moonlit shadows. Scary stuff for little trick-or-treaters and for the faint of heart, indeed.

A reading of “The Raven” while gathered by the fireside on Halloween night might be a special treat for trick-or-treaters of all ages this year! Here are a couple easy little recipes for some Spooky Ghost Popcorn Balls and a super-easy Monster Munch Snack Mix for everyone to enjoy while Mom or Dad reads “The Raven” for everyone.  Or, to merely munch while enjoying a somewhat lighter and more humorous version of “The Raven” from “The Simpsons”, below, as narrated by James Earl Jones.

Or, might we suggest, for a perfectly entertaining evening — doing both!  Better make a double batch of Popcorn Balls and Monster Munch for the gang!


There are many works of literature and poetry that have stuck with me as favorites over the years, long after being required to dissect, analyze, and memorize them for literature classes in high school and college some years ago.  Now, they may simply be enjoyed as entertainment on their own merits, as originally intended by the authors.

One such piece is Edgar Allan Poe’s “The Raven”, a very appropriate share as we approach Halloween.

This narrative poem was originally attributed to Poe in the ‘New York Evening Mirror’ on January 29, 1845.

Though not bringing much financial benefit in and of itself, “The Raven” served to make Poe very popular in his time.  The poem remains one of the most well-liked and well-known poems ever written. It is always one of my personal favorites.

Frequently associated with Halloween now, the poem features a distraught lover sadly lamenting the loss of his love, Lenore, on a bleak December night.  He is visited by a talking raven, and the poem follows his slow descent into madness.

As Poe stated of himself at one point — “I became insane, with long intervals of horrible sanity.”

But let us digress no longer. Here then, for your Halloween festivities and enjoyment, we present — “The Raven” by Edgar Allan Poe . . . .


“THE RAVEN”

Once upon a midnight dreary, while I pondered, weak and weary, 

Over many a quaint and curious volume of forgotten lore— 

    While I nodded, nearly napping, suddenly there came a tapping, 

As of someone gently rapping, rapping at my chamber door. 

“’Tis some visitor,” I muttered, “tapping at my chamber door— 

            Only this and nothing more.” 

    Ah, distinctly I remember it was in the bleak December; 

And each separate dying ember wrought its ghost upon the floor. 

    Eagerly I wished the morrow;—vainly I had sought to borrow 

    From my books surcease of sorrow—sorrow for the lost Lenore— 

For the rare and radiant maiden whom the angels name Lenore— 

            Nameless here for evermore. 

    And the silken, sad, uncertain rustling of each purple curtain 

Thrilled me—filled me with fantastic terrors never felt before; 

    So that now, to still the beating of my heart, I stood repeating 

    “’Tis some visitor entreating entrance at my chamber door— 

Some late visitor entreating entrance at my chamber door;— 

            This it is and nothing more.” 

    Presently my soul grew stronger; hesitating then no longer, 

“Sir,” said I, “or Madam, truly your forgiveness I implore; 

    But the fact is I was napping, and so gently you came rapping, 

    And so faintly you came tapping, tapping at my chamber door, 

That I scarce was sure I heard you”—here I opened wide the door;— 

            Darkness there and nothing more. 

    Deep into that darkness peering, long I stood there wondering, fearing, 

Doubting, dreaming dreams no mortal ever dared to dream before; 

    But the silence was unbroken, and the stillness gave no token, 

    And the only word there spoken was the whispered word, “Lenore?” 

This I whispered, and an echo murmured back the word, “Lenore!”— 

            Merely this and nothing more. 

    Back into the chamber turning, all my soul within me burning, 

Soon again I heard a tapping somewhat louder than before. 

    “Surely,” said I, “surely that is something at my window lattice; 

      Let me see, then, what thereat is, and this mystery explore— 

Let my heart be still a moment and this mystery explore;— 

            ’Tis the wind and nothing more!” 

    Open here I flung the shutter, when, with many a flirt and flutter, 

In there stepped a stately Raven of the saintly days of yore; 

    Not the least obeisance made he; not a minute stopped or stayed he; 

    But, with mien of lord or lady, perched above my chamber door— 

Perched upon a bust of Pallas just above my chamber door— 

            Perched, and sat, and nothing more. 

Then this ebony bird beguiling my sad fancy into smiling, 

By the grave and stern decorum of the countenance it wore, 

“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven, 

Ghastly grim and ancient Raven wandering from the Nightly shore— 

Tell me what thy lordly name is on the Night’s Plutonian shore!” 

            Quoth the Raven “Nevermore.” 

    Much I marvelled this ungainly fowl to hear discourse so plainly, 

Though its answer little meaning—little relevancy bore; 

    For we cannot help agreeing that no living human being 

    Ever yet was blessed with seeing bird above his chamber door— 

Bird or beast upon the sculptured bust above his chamber door, 

            With such name as “Nevermore.” 

    But the Raven, sitting lonely on the placid bust, spoke only 

That one word, as if his soul in that one word he did outpour. 

    Nothing farther then he uttered—not a feather then he fluttered— 

    Till I scarcely more than muttered “Other friends have flown before— 

On the morrow he will leave me, as my Hopes have flown before.” 

            Then the bird said “Nevermore.” 

    Startled at the stillness broken by reply so aptly spoken, 

“Doubtless,” said I, “what it utters is its only stock and store 

    Caught from some unhappy master whom unmerciful Disaster 

    Followed fast and followed faster till his songs one burden bore— 

Till the dirges of his Hope that melancholy burden bore 

            Of ‘Never—nevermore’.” 

    But the Raven still beguiling all my fancy into smiling, 

Straight I wheeled a cushioned seat in front of bird, and bust and door; 

    Then, upon the velvet sinking, I betook myself to linking 

    Fancy unto fancy, thinking what this ominous bird of yore— 

What this grim, ungainly, ghastly, gaunt, and ominous bird of yore 

            Meant in croaking “Nevermore.” 

    This I sat engaged in guessing, but no syllable expressing 

To the fowl whose fiery eyes now burned into my bosom’s core; 

    This and more I sat divining, with my head at ease reclining 

    On the cushion’s velvet lining that the lamp-light gloated o’er, 

But whose velvet-violet lining with the lamp-light gloating o’er, 

            She shall press, ah, nevermore! 

    Then, methought, the air grew denser, perfumed from an unseen censer 

Swung by Seraphim whose foot-falls tinkled on the tufted floor. 

    “Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee 

    Respite—respite and nepenthe from thy memories of Lenore; 

Quaff, oh quaff this kind nepenthe and forget this lost Lenore!” 

            Quoth the Raven “Nevermore.” 

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!— 

Whether Tempter sent, or whether tempest tossed thee here ashore, 

    Desolate yet all undaunted, on this desert land enchanted— 

    On this home by Horror haunted—tell me truly, I implore— 

Is there—is there balm in Gilead?—tell me—tell me, I implore!” 

            Quoth the Raven “Nevermore.” 

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil! 

By that Heaven that bends above us—by that God we both adore— 

    Tell this soul with sorrow laden if, within the distant Aidenn, 

    It shall clasp a sainted maiden whom the angels name Lenore— 

Clasp a rare and radiant maiden whom the angels name Lenore.” 

            Quoth the Raven “Nevermore.” 

    “Be that word our sign of parting, bird or fiend!” I shrieked, upstarting— 

“Get thee back into the tempest and the Night’s Plutonian shore! 

    Leave no black plume as a token of that lie thy soul hath spoken! 

    Leave my loneliness unbroken!—quit the bust above my door! 

Take thy beak from out my heart, and take thy form from off my door!” 

            Quoth the Raven “Nevermore.” 

    And the Raven, never flitting, still is sitting, still is sitting 

On the pallid bust of Pallas just above my chamber door; 

    And his eyes have all the seeming of a demon’s that is dreaming, 

    And the lamp-light o’er him streaming throws his shadow on the floor; 

And my soul from out that shadow that lies floating on the floor 

            Shall be lifted—nevermore!

By — Edgar Allan Poe


One of my favorite renditions of “The Raven” was performed by James Earl Jones on “The Simpsons” first “Treehouse of Horror” Halloween Special, on October 25, 1990. Now, a timeless classic in its own right! Take it away, Homer . . . .


Thanks always for visiting and having a bit of Halloween fun with us today!

I hope you enjoyed “The Raven” and your time with us, and will come back often as new features and posts are added during the coming Holiday Season.

Wishing everyone a Fun, Safe, Healthy, and Happy Halloween this year!

Until next time — Best Wishes & Blessings! — Jim  (and Red!) 🤠 🐻 🍂 🧡 🍎 🌻 🍁


In A World Where You Can Be Anything — Be Kind. Because Kindness Matters!


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         “I would define, in brief, the poetry of words as the rhythmical creation of Beauty.”          — Edgar Allan Poe

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A Halloween Special — “The Raven” Poem by Edgar Allan Poe (And ‘The Simpsons’)

We are dusting off a longtime favorite of Edgar Allan Poe to help set the mood for the Halloween weekend fast approaching. This will necessarily be a very different Halloween than those before, with the specter of COVID roaming the land.

Nevertheless, there will be a full moon on this Halloween night, a very special Blue Moon at that.  Watch for Witches Flying On Broomsticks and Vampire Bats streaking across the sky, and ever-present Goblins and Ghoulies lurking in the moonlit shadows.

Scary stuff.  And the scariest of all, the invisible virus we cannot see.  Please keep everyone properly “masked up” to ensure health and safety this year!

Perhaps a reading of “The Raven” while gathered by the fireside on Halloween night might be a special treat for stay-at-home trick-or-treaters this year! Here is an easy little recipe for some Spooky Ghost Popcorn Balls for everyone to enjoy while Mom or Dad read “The Raven!”  Or, to munch on while enjoying The Simpsons’ version, below. Or both.  Better make a good supply of popcorn balls!


There are many works of literature and poetry that have stuck with me as favorites over the years, long after being required to dissect, analyze, and memorize them for literature classes in high school and college some years ago.  Now, they may simply be enjoyed as entertainment on their own merits, as originally intended by the authors.

One such piece is Edgar Allan Poe’s “The Raven”, a very appropriate share as we approach Halloween.  This narrative poem was originally attributed to Poe in the ‘New York Evening Mirror’ on January 29, 1845.

Though not bringing much financial benefit in and of itself, “The Raven” served to make Poe very popular in his time.  The poem remains one of the most well-liked poems ever written, and always one of my personal favorites.

Frequently associated with Halloween now, the poem features a distraught lover sadly lamenting the loss of his love, Lenore, on a bleak December night.  He is visited by a talking raven, and the poem follows his slow descent into madness.

As Poe stated of himself — “I became insane, with long intervals of horrible sanity.”

Here then, for your Halloween festivities — “The Raven” by Edgar Allan Poe . . . .


“THE RAVEN”

Once upon a midnight dreary, while I pondered, weak and weary, 

Over many a quaint and curious volume of forgotten lore— 

    While I nodded, nearly napping, suddenly there came a tapping, 

As of someone gently rapping, rapping at my chamber door. 

“’Tis some visitor,” I muttered, “tapping at my chamber door— 

            Only this and nothing more.” 

    Ah, distinctly I remember it was in the bleak December; 

And each separate dying ember wrought its ghost upon the floor. 

    Eagerly I wished the morrow;—vainly I had sought to borrow 

    From my books surcease of sorrow—sorrow for the lost Lenore— 

For the rare and radiant maiden whom the angels name Lenore— 

            Nameless here for evermore. 

    And the silken, sad, uncertain rustling of each purple curtain 

Thrilled me—filled me with fantastic terrors never felt before; 

    So that now, to still the beating of my heart, I stood repeating 

    “’Tis some visitor entreating entrance at my chamber door— 

Some late visitor entreating entrance at my chamber door;— 

            This it is and nothing more.” 

    Presently my soul grew stronger; hesitating then no longer, 

“Sir,” said I, “or Madam, truly your forgiveness I implore; 

    But the fact is I was napping, and so gently you came rapping, 

    And so faintly you came tapping, tapping at my chamber door, 

That I scarce was sure I heard you”—here I opened wide the door;— 

            Darkness there and nothing more. 

    Deep into that darkness peering, long I stood there wondering, fearing, 

Doubting, dreaming dreams no mortal ever dared to dream before; 

    But the silence was unbroken, and the stillness gave no token, 

    And the only word there spoken was the whispered word, “Lenore?” 

This I whispered, and an echo murmured back the word, “Lenore!”— 

            Merely this and nothing more. 

    Back into the chamber turning, all my soul within me burning, 

Soon again I heard a tapping somewhat louder than before. 

    “Surely,” said I, “surely that is something at my window lattice; 

      Let me see, then, what thereat is, and this mystery explore— 

Let my heart be still a moment and this mystery explore;— 

            ’Tis the wind and nothing more!” 

    Open here I flung the shutter, when, with many a flirt and flutter, 

In there stepped a stately Raven of the saintly days of yore; 

    Not the least obeisance made he; not a minute stopped or stayed he; 

    But, with mien of lord or lady, perched above my chamber door— 

Perched upon a bust of Pallas just above my chamber door— 

            Perched, and sat, and nothing more. 

Then this ebony bird beguiling my sad fancy into smiling, 

By the grave and stern decorum of the countenance it wore, 

“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven, 

Ghastly grim and ancient Raven wandering from the Nightly shore— 

Tell me what thy lordly name is on the Night’s Plutonian shore!” 

            Quoth the Raven “Nevermore.” 

    Much I marvelled this ungainly fowl to hear discourse so plainly, 

Though its answer little meaning—little relevancy bore; 

    For we cannot help agreeing that no living human being 

    Ever yet was blessed with seeing bird above his chamber door— 

Bird or beast upon the sculptured bust above his chamber door, 

            With such name as “Nevermore.” 

    But the Raven, sitting lonely on the placid bust, spoke only 

That one word, as if his soul in that one word he did outpour. 

    Nothing farther then he uttered—not a feather then he fluttered— 

    Till I scarcely more than muttered “Other friends have flown before— 

On the morrow he will leave me, as my Hopes have flown before.” 

            Then the bird said “Nevermore.” 

    Startled at the stillness broken by reply so aptly spoken, 

“Doubtless,” said I, “what it utters is its only stock and store 

    Caught from some unhappy master whom unmerciful Disaster 

    Followed fast and followed faster till his songs one burden bore— 

Till the dirges of his Hope that melancholy burden bore 

            Of ‘Never—nevermore’.” 

    But the Raven still beguiling all my fancy into smiling, 

Straight I wheeled a cushioned seat in front of bird, and bust and door; 

    Then, upon the velvet sinking, I betook myself to linking 

    Fancy unto fancy, thinking what this ominous bird of yore— 

What this grim, ungainly, ghastly, gaunt, and ominous bird of yore 

            Meant in croaking “Nevermore.” 

    This I sat engaged in guessing, but no syllable expressing 

To the fowl whose fiery eyes now burned into my bosom’s core; 

    This and more I sat divining, with my head at ease reclining 

    On the cushion’s velvet lining that the lamp-light gloated o’er, 

But whose velvet-violet lining with the lamp-light gloating o’er, 

            She shall press, ah, nevermore! 

    Then, methought, the air grew denser, perfumed from an unseen censer 

Swung by Seraphim whose foot-falls tinkled on the tufted floor. 

    “Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee 

    Respite—respite and nepenthe from thy memories of Lenore; 

Quaff, oh quaff this kind nepenthe and forget this lost Lenore!” 

            Quoth the Raven “Nevermore.” 

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!— 

Whether Tempter sent, or whether tempest tossed thee here ashore, 

    Desolate yet all undaunted, on this desert land enchanted— 

    On this home by Horror haunted—tell me truly, I implore— 

Is there—is there balm in Gilead?—tell me—tell me, I implore!” 

            Quoth the Raven “Nevermore.” 

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil! 

By that Heaven that bends above us—by that God we both adore— 

    Tell this soul with sorrow laden if, within the distant Aidenn, 

    It shall clasp a sainted maiden whom the angels name Lenore— 

Clasp a rare and radiant maiden whom the angels name Lenore.” 

            Quoth the Raven “Nevermore.” 

    “Be that word our sign of parting, bird or fiend!” I shrieked, upstarting— 

“Get thee back into the tempest and the Night’s Plutonian shore! 

    Leave no black plume as a token of that lie thy soul hath spoken! 

    Leave my loneliness unbroken!—quit the bust above my door! 

Take thy beak from out my heart, and take thy form from off my door!” 

            Quoth the Raven “Nevermore.” 

    And the Raven, never flitting, still is sitting, still is sitting 

On the pallid bust of Pallas just above my chamber door; 

    And his eyes have all the seeming of a demon’s that is dreaming, 

    And the lamp-light o’er him streaming throws his shadow on the floor; 

And my soul from out that shadow that lies floating on the floor 

            Shall be lifted—nevermore!

By — Edgar Allan Poe


One of my favorite renditions of “The Raven” was performed by James Earl Jones on “The Simpsons” first “Treehouse of Horror” Halloween Special, on October 25, 1990, a timeless classic now in its own rite!


Goblins, Ghosts, Werewolves, and Witches aside, we all need to be extra careful this year with the COVID virus running loose everywhere. Please put a proper mask on the little ones, even if under a traditional mask because Halloween masks offer no real protection at all.

Hopefully, things will return back to normal by this time next year. But for now, please take steps to keep both yourself and loved ones safe. To learn about ways to stay safe during the COVID Halloween this year, check out Halloween & COVID-19: Have Fun While Staying Safe and this guide for the upcoming holiday season from the Centers For Disease Control (CDC).


We never know what lies in store, When we hear ghastly, ghostly spirits roar.

We’re never really sure, for certain,

What may be lurking unseen behind the curtain.

Or who may be at the ceiling knocking,

All the while our courage and backbone mocking,

Or what it is that might be rapping on the door.

Rapping, tapping, tapping, rapping on our door,

Bearing fearsome and frightful tricks of yore.

Are we brave, with steadfast courage?

Or should we then our fearless pluck discourage? And perhaps choose to open it —

Nevermore? 


Thanks always for visiting with us today!

With the Presidential Election next week and quite possibly the most important one in our lifetimes, if undecided or simply curious I invite you to check out — “What I Believe and Where I Stand”

Wishing everyone a fun, safe, and healthy Halloween, this year! — Jim  (and Red!)


If you enjoyed this piece, you may also like — “A Nostalgic Look Back at Trick or Treating in Days of Yore” 

(New Visitors — Welcome! To find out what we are all about here, please check out — “Welcome To My Writing Pages!” and “About the Blog, Jim & Little Red Bear” — and sign up to follow and be notified of every new post!)


         “I would define, in brief, the poetry of words as the rhythmical creation of Beauty.”          — Edgar Allan Poe

 “Monsters are real, and ghosts are real, too. They live inside us, and sometimes, they win.”   — Stephen King


Meet Little Red Bear & His Friends —  “Once Upon A Time In A Very Special Woods . . . .”


Old-fashioned, Family-friendly Stories and Fun for All Ages! 
About an Uncommonly Special Bear and His Friends.

  “There is something haunting in the light of the moon.” — Joseph Conrad


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                “On Halloween, witches come true; Wild ghosts escape from dreams. Each monster dances in the park.” — Nicholas Gordon