Wilder Tales — “The Zebra Who Was Always There”

From the critters near home . . . to the wildlands beyond.

Wilder Tales are small, gentle stories — meant to be read in a few quiet minutes, enjoyed with a smile, and written and shared simply for the pleasure of observing animals a little less settled, and the wider, wilder world they move through.

Having walked with the herd for as long as anyone could remember, the zebra moved once again along the same paths worn smooth by many hooves, stopping where the grass was sweetest and the ground held just enough firmness under foot. There was nothing unusual in the way the herd traveled together — the same easy spacing, the same unspoken understanding of when to pause and when to go on. In the bright, open light of the plain, the zebra’s stripes appeared as they always had, clean and familiar, and no one gave them more thought than the passing breeze or the sky overhead.

Slipping behind a drifting cloud, as it sometimes did, softening the sharp edges of the plain and drawing colors closer together, the sun withdrew for a moment. The air cooled just a little, and shadows loosened their hold on the ground. In that gentler half-light, the stripes on the zebras no longer looked quite the same — not changed, exactly, but revealed differently, as though the sun’s brightness had been doing more work than anyone realized.

At the edge of the plain, where grass rose tall enough to keep secrets, a lioness lay watching. This herd was familiar to her — their number, their movement, the way they held together — but in the softened light her gaze settled longer than usual on one place among them. She did not move, did not crouch or advance. She only watched, with a stillness that carried weight.

Somewhere within the herd, a zebra lifted its head, not in alarm, but in response to a feeling as old as grass and sky — the sense of being watched. That lifting of the head passed lightly from one to another, a ripple rather than a signal, until several pairs of eyes turned, almost without knowing why, toward the tall grass at the edge of the plain. They did not see the lioness at first. They felt her attention before they discerned her shape.

One zebra, standing slightly apart only by the length of a step, followed the lioness’s gaze a moment longer than the others. It was not curiosity exactly, nor fear, but something closer to alignment — the sense of looking where one is being looked through. In the softened light, with shadows loosening and edges no longer sharp, that zebra saw itself reflected faintly in the lioness’s attention, as though singled out without having been chosen.

Only then did the difference appear, and even so it did not announce itself. In the half-light, where shadow softened contrast and the sun no longer flattened every surface into certainty, the zebra’s stripes were no longer quite the same black they had always seemed. Along the curve of the shoulder and down the long slope of the flank, a deeper hue emerged — muted, dusty, almost mistaken for shade at first, until it held. Purple, quiet and undeniable, as though it had always been there, waiting for the light to step aside.

The zebra did not move. There was no reason to. The grass was the same beneathfoot, the air unchanged, the herd still close enough to feel without looking. Yet something had shifted all the same. A space opened — not in distance, but in attention — as though a line had been drawn that no one meant to draw, simply by noticing.

One by one, other zebras began to see it too. Not all at once, and not with any agreement. A glance held a moment longer. A head tilted. A pause where there had never been one before. The purple did not grow brighter. It did not spread. It simply remained — unchanged — but newly noticed, now named in the mind even if no one spoke of the difference aloud.

Just as quietly as that awareness had arrived, it began to do its work.

And that work began with something so small it might not have been noticed at all, had anyone been watching for it. When the herd shifted to graze, a familiar space was left unfilled — no more than the length of a shoulder, perhaps — and no one stepped into it. The line adjusted around the absence without comment, the way water moves around a stone.

The purple-striped zebra remained where it had always stood, neither closer nor farther away than before. Yet when the herd moved again, the gap moved with them, keeping its quiet place. Nothing had been said. Nothing had been decided. Still, the shape of togetherness had changed, altered not by action, but by hesitation.

At the edge of the plain, the lioness watched on, her attention unbroken. Waiting. The herd, occupied with its own subtle rearranging, did not notice how much more clearly she could see them now.

The change came all at once.

At the sight of the lioness shifting her weight, lowering her head, the herd’s scattered attention snapped back into alignment. Instinct moved faster than thought. Bodies turned. Hooves thundered against the ground as the line folded inward, closing the space that should never have been left open.

The purple-striped zebra found itself no longer alone at the edge of anything. Warmth pressed in from both sides, familiar and firm. A flank brushed its own. A shoulder settled where the gap had been. The herd did not pause to consider what they were doing or why. They simply remembered how to be together.

Faced with a wall of movement and sound, the lioness halted. She watched for a moment longer, measuring the cost, then eased back into the tall grass, the opportunity gone.

Only after the danger passed did the herd settle again, its collective breath evening. Their shape returned to what it had always been. The purple-striped zebra stood exactly where it always had — no closer to the center than before, no farther away — and the grass beneathfoot felt the same as it always had.

Nothing had changed about the zebra.

Something had changed about the herd.

Original artwork throughout The Front Porch has been created from my concepts and creative direction with the assistance of AI.  

 

Why do I write these? Aw, I don’t know. Just thought it might make you smile.

 

Wilder Tales — “A Giraffe In A Hurry”

From the critters near home . . . . to the wildlands beyond.

Wilder Tales are small, gentle stories — meant to be read in a few quiet minutes, enjoyed with a smile, and written and shared simply for the pleasure of observing animals a little less settled, and the wider, wilder world they move through.

Nobody could remember exactly who spotted the tree first.

It might have been one of the older giraffes, the kind who noticed things quietly and mentioned them only after being certain. Or it might have been a younger one, hesitant and unsure, keeping it to themself. But once the breeze shifted, word traveled fast thru the herd.

That tantalizing breeze carried with it the clean, green scent of new leaves — the kind that made every giraffe lift their head and take notice.

And such a fine tree it was — broad-limbed, leafy, and standing just far enough away in the distance to feel like a small victory once reached, its newly sprouted leaves tender and bright, bursting with a green, juicy sweetness no giraffe could ignore.

Most of the herd set off at an easy pace, necks swaying gently, steps unhurried. Leaves, after all, were not known for running away. All things in time.

One giraffe, however, had other ideas.

He decided that if he took the narrow path — the one that dipped beneath a few low-hanging branches — he could arrive first, select the most tasty branch, plant his hooves, and begin munching before anyone else even came into view. The thought pleased him greatly.

He lowered his head, picked up speed, and slipped beneath the trees.

Now, it should be said that giraffes are tall for a reason — to reach the highest leaves other grazers cannot — and not, as it turns out, to go rushing about.

As he ran, he turned his head slightly to see how close the others were behind him.

That was when it happened.

BAM!

The sound echoed just enough to make the birds pause and reconsider their opinions of giraffes altogether.

The branch did not move.
The giraffe did.

He sat down hard, legs folding beneath him in a way legs were never meant to fold, stars swirling somewhere near the clouds. When the dizziness settled, he remained exactly where he was, eyes crossed just enough to be concerning.

Someone fetched the large blue ice pack — the one normally reserved for enthusiastic antelope mishaps — and placed it carefully atop his head.

It took a while.

Eventually, it stayed.

The herd arrived shortly after, calm as ever. They passed him by one at a time, unhurried, on their way toward the tree that had started all the trouble.

No one laughed.

One giraffe tilted her head and said, kindly,
“Well… you did get here first.”

The concussed giraffe with the headache sighed, adjusting the ice pack with one careful hoof.

“Yes,” he said. “But I cannot recommend the route.”

They stood together for a time, leaves rustling softly in the distance, the sun warming backs and branches alike. After a while, the headache eased. The ice pack slid off and landed with a gentle thump at his feet.

He rose slowly, and after a few measured steps joined the others. He proceeded then to eat at the same unhurried pace as everyone else.

The leaves tasted just as good.

Maybe better.


 


Images have been created for this piece with the assistance of AI . . . .  lovingly prepared and styled for Honey Hill Country and the world of Little Red Bear.

Why do I write these? Aw, I don’t know. Just thought it might make you smile.

 

A Conversation on the Morning Air

There are some Spring mornings that feel as though they’ve been set out just for noticing.

Last week offered one of those.

The air had that early-season softness — not quite warm, not quite cool — in between — the kind that carries sound a little farther than usual and lets the world arrive in layers. Across the street stood a White Dogwood in full bloom, its branches lifted and spread like open hands, each one holding those unmistakable cross-shaped blossoms that seem less like flowers and more like small, quiet declarations.

And there, settled comfortably among them, was a Cardinal, its crimson feathers glowing in the sunlight.

Not just present — but singing.

Filling the morning air with his full-throated melodies. Steady, and sure of himself, as Cardinals tend to be. The kind of song that doesn’t ask for attention so much as assuming it will be given.

On my side of the street, just ahead, stood a Red Maple — not yet committed to Spring, its branches still mostly bare, holding back just a little longer before leafing out. And from somewhere within those branches — though I could not see him at all — came the bright, quick voice of a Carolina Wren.

It is one of those things, where if you know that sound, you know it — sharp, cheerful, almost insistent, as if every note matters. Such a loud song coming from such a tiny bird.

And then something curious happened.

Continue reading →

The Hearth & Holler Gazette No. 11 — “A Stirring Week Across Honey Hill Country — Business Opens Its Doors, Concerns Rise, and Work Awaits”

A Weekly Visit of Tales, Tidings, and Old-Time Country Comfort

Welcome!

It’s been a full and eventful week in Honey Hill Country, and one worth talking about.

As always, The Hearth & Holler Gazette is a work of fiction set in a place that exists most clearly in the imagination — though from time to time it may resemble somewhere you have known. But for first time visitors, it may help to know where — and when — we are, and what I am talking about

The Hearth & Holler Gazette hails from Honey Hill Country, a small, rural corner of the Missouri Ozarks, as it might have been known in the year 1904 — a time of front porches and wagon roads, oil lamps and handwritten letters, when news traveled at a human pace, and a Saturday paper was meant to be read slowly, with coffee close at hand. This is not a paper of breaking news or loud headlines. It prefers instead to notice it — the small, human-sized moments that once filled a morning without asking much in return.

The Hearth & Holler Gazette is a work of fiction — a made-up paper from a made-up place, written in the spirit of an earlier time. Any resemblance to real towns, people, or events is entirely coincidental, though we do our best to make it feel otherwise.

This must be understood at the beginning — the towns, fields, and citizens described here exist only within these pages. With that firmly agreed, the small and ordinary wonders of the week may unfold as they will. That is the way of things here. That is all we need to know, and that ought to be enough.

So, with that said  — Please come on in. Your paper awaits . . . . . . 

And would you prefer Coffee or Tea with your newspaper?

 

Continue reading →

The Hearth & Holler Gazette No. 10 — “March Madness Days Come to a Joyful Close”

A Weekly Visit of Tales, Tidings, and Old-Time Country Comfort

Welcome!

It’s been a full and lively week in Honey Hill Country.

From the rabbits’ tooting sound of joyful Carrozelas across the hills to the gathering of neighbors along the roadside, the past several days have brought a great deal of movement, merriment, and shared moments worth noting. As the season’s celebrations draw to a close, there is both much to remember and, perhaps, a little quiet beginning to return.

As always, The Hearth & Holler Gazette is a work of fiction set in a place that exists most clearly in the imagination — though from time to time it may resemble somewhere you have known. But for first time visitors, it may help to know where — and when — we are, and what I am talking about

The Hearth & Holler Gazette hails from Honey Hill Country, a small, rural corner of the Missouri Ozarks, as it might have been known in the year 1904 — a time of front porches and wagon roads, oil lamps and handwritten letters, when news traveled at a human pace, and a Saturday paper was meant to be read slowly, with coffee close at hand. This is not a paper of breaking news or loud headlines. It prefers instead to notice it — the small, human-sized moments that once filled a morning without asking much in return.

The Hearth & Holler Gazette is a work of fiction — a made-up paper from a made-up place, written in the spirit of an earlier time. Any resemblance to real towns, people, or events is entirely coincidental, though we do our best to make it feel otherwise.

This must be understood at the beginning — the towns, fields, and citizens described here exist only within these pages. With that firmly in mind, the small and ordinary wonders of the week may unfold as they will. That is the way of things here. That is all we need to know, and that ought to be enough.

So, with that said  — Please come on in. Your paper awaits . . . . . .

And would you prefer Coffee or Tea with your newspaper?

 

Continue reading →